{"id":3229,"date":"2026-02-08T12:33:24","date_gmt":"2026-02-08T12:33:24","guid":{"rendered":"https:\/\/www.salze.cat\/?p=3229"},"modified":"2026-04-14T14:55:28","modified_gmt":"2026-04-14T14:55:28","slug":"conviure-amb-una-poeta","status":"publish","type":"post","link":"https:\/\/www.salze.cat\/en\/2026\/02\/08\/conviure-amb-una-poeta\/","title":{"rendered":"Conviure amb una poeta"},"content":{"rendered":"
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Presentem l\u2019exemplar n\u00famero zero de NEUROSUITE<\/a> de Margherita Guidacci i algunes consideracions sobre la traducci\u00f3 de l\u2019obra, que trobareu a les llibreries la segona quinzena de febrer<\/h3>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t
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Margherita Guidacci ja t\u00e9 veu catalana. I cos. A finals del 2022, amb l\u2019adquisici\u00f3 dels drets d\u2019edici\u00f3 de la seva obra, vam iniciar el proc\u00e9s de selecci\u00f3 i traducci\u00f3 de NEUROSUITE, una antologia de m\u00e9s de 150 poemes i m\u00e9s de dues-centes p\u00e0gines que arribar\u00e0 a les llibreries la segona quinzena de febrer, amb traducci\u00f3 de Marta Vilardaga i Josep Porcar.<\/strong> Han estat, doncs, tres anys d\u2019intensa conviv\u00e8ncia amb la gran poeta florentina. Conviv\u00e8ncia, s\u00ed, literalment. Perqu\u00e8, com ja vam experimentar amb el poeta Attilio Bertolucci (Porta\u2019m amb tu<\/em>, Salze, 2021), la \u2018persona tradu\u00efda\u2019 acaba, en poc temps, formant part de la fam\u00edlia, de la vida dels traductors, ocupant sovint les converses des de l\u2019esmorzar fins al sopar. No hi \u00e9s, fis\u00edcament, o no del tot, per\u00f2 \u00e9s absolutament viva i present, en un nodriment rec\u00edproc.\u00a0<\/span>Ho volem explicar perqu\u00e8 aquesta conviv\u00e8ncia, aquest proc\u00e9s de traducci\u00f3, t\u00e9 les seves peculiaritats.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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All\u00f2 m\u00e9s confortable \u2013i \u00e9s com sol anar si ens fixem en la majoria de publicacions de poesia selecta\u2013, \u00e9s acudir a antologies ja existents en la llengua original i clonar-ne la selecci\u00f3, o simplement limitar-se al judici de la cr\u00edtica al pa\u00eds d\u2019origen, en aquest cas la italiana, la qual presumptament ja ha deixat feta \u2013i sovint mal feta si hi manquen revisions\u2013 la feina de dictaminar quins s\u00f3n els poemes m\u00e9s rellevants. Greu error, en la nostra opini\u00f3, i m\u00e9s en el cas de la Guidacci, una poeta en recuperaci\u00f3 creixent a It\u00e0lia des de fa tan sols una d\u00e8cada, esperonada per les nombroses traduccions al franc\u00e8s i a l\u2019angl\u00e8s. Sense menystenir la utilitat d\u2019aquelles seleccions i consideracions cr\u00edtiques, tant en el cas de Bertolucci com en el de Guidacci el proc\u00e9s no ha estat aquest, ni de cap manera c\u00f2mode ni f\u00e0cil, sin\u00f3 entrebancat, minuci\u00f3s, lent i, sobretot, sempre invers. Invers perqu\u00e8, en primer lloc, llegim i rellegim de cap a cap l\u2019obra completa, i en tradu\u00efm bona part resseguint cronol\u00f2gicament llibre a llibre tots i cadascun dels poemes. I si b\u00e9 \u00e9s cert que, en alguns casos, anem consulant la bibliografia existent, sobretot pel que fa a les motivacions vitals i liter\u00e0ries de la poeta, aquesta no determina les nostres prioritats selectives. En qualsevol cas, aquesta traducci\u00f3 expansiva suposa ja una primera i gruixuda tria a partir de la qual en fem posteriorment la selecci\u00f3 formal, meticulosa, com a corpus auton\u00f2m, a fi de consolidar una antologia representativa. Proc\u00e9s invers, en d\u00e8iem, doncs, perqu\u00e8 \u00e9s nom\u00e9s despr\u00e9s d\u2019aquesta odissea quan afinem i consultem, tamb\u00e9, la resta de bibliografia cr\u00edtica disponible i, evidentment, els poemes que han triat, i per qu\u00e8, tant els ant\u00f2legs italians com els d\u2019uns altres idiomes.<\/p>\n

Aquest procediment ens garanteix una visi\u00f3 escrupulosa, generosa per inclusiva, i alhora continguda, de l\u2019obra guidacciana i no haver passat per alt, i de cap manera inconscientment, poemes que potser els textos cr\u00edtics i\/o acad\u00e8mics han relegat o fins i tot recriminat amb criteris no sempre di\u00e0fans, amb esp\u00faries apel\u00b7lacions al c\u00e0non o amb esbiaixades elucubracions ideol\u00f2giques o fins i tot de g\u00e8nere, i que, en canvi, amb la perspectiva i l\u2019exig\u00e8ncia que administra el temps, amb l\u2019inter\u00e8s despertat en noves generacions de lectors, s\u00f3n poemes que tenen tot el sentit i ra\u00f3 de ser i tota la vig\u00e8ncia per ser antologats.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Presentem l\u2019exemplar n\u00famero zero de NEUROSUITE de Marguerita Guidacci i algunes consideracions sobre la traducci\u00f3 de l\u2019obra, que trobareu a les llibreries la segona quinzena de febrer.<\/p>","protected":false},"author":1,"featured_media":3233,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"_joinchat":[],"footnotes":""},"categories":[185,4],"tags":[197,184,194,196,35],"class_list":{"0":"post-3229","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-guidacci","8":"category-novetats","9":"tag-exemplar","10":"tag-margherita-guidacci","11":"tag-neurosuite","12":"tag-notes","13":"tag-traduccio"},"yoast_head":"\nConviure amb una poeta : Salze Editorial<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" 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